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New York magazine’s October 2005 issue sent shockwaves through the literary world when it unmasked “it boy” wunderkind JT LeRoy, whose tough prose about his sordid childhood had captivated icons and luminaries internationally. It turned out LeRoy didn’t actually exist. He was dreamed up by 40-year-old San Francisco punk rocker and phone sex operator, Laura Albert.
Young Cedric (Ceddie) Errol and his widowed mother (known only as “Dearest”) live in genteel poverty in 1880s Brooklyn after the death of his father. Cedric’s grandfather, the Earl of Dorincourt, has long ago disowned his son for marrying an American. But after the death of the Earl’s remaining son, he decides to accept the little Cedric as Lord Fauntleroy, his heir.
Lilo, Stitch, Jumba and Pleakley have finally caught all of Jumba’s genetic experiments and found the one true place where each of them belongs. Stitch, Jumba and Pleakley are offered positions in the Galactic Alliance, turning them down so they can stay on Earth with Lilo. But Lilo realizes her alien friends have places where they belong, and it’s finally time to say “aloha.”
A young woman named Savannah Knoop spends six years pretending to be a transgender writer named JT Leroy, the made-up literary persona of her sister-in-law.
Leroy, Reggie and Cheruce Paloni host a Halloween special full of spooky shorts from a group of up-and-coming animators.
True story of Mary Griffith, gay rights crusader, whose teenage son committed suicide due to her religious intolerance. Based on the book of the same title by Leroy Aarons.
From the once thriving tobacco warehouses, to the current run-down and closed shops of Five Points, a diverse group of residents and their respective life changes when outsider Gus Leroy brings something new and potentially dangerous into their quiet town.
Richard Pryor plays three roles – a beleaguered, sex-starved farm worker named Leroy Jones; the farm worker’s randy old father Rufus; and the hypocritical town preacher Rev. Lenox Thomas – and Pryor has never been so outrageously funny. The lives and love lives of these three men cross and crisscross as Leroy tries to get his life back on track.
Leroy Lowe, grand dragon of the Texas Ku Klux Klan confronts everything he’s been taught to hate when he’s sentenced to three years of hard labor on a prison work farm, where Warden Merville, dead set on rehabilitating Leroy, chooses Emilio, a Hispanic field worker imprisoned for fighting for labor rights, to be his cell-mate. Leroy, confined in a small cell with the enemy, far from the KKK comrades who deserted him, finds the chatty Emilio slowly chipping away at his anger and prejudice. His weekly rehabilitation meetings with the warden, barely tolerable as the man drones on about farm labor and field crops, take on a different meaning when Madalena, a beautiful Mexican maid is hired to clean the warden’s office. An unconventional love story develops that opens Leroy’s eyes to the possibility of a different life. And a man who was a born and bred racist finds himself heading down a completely different path to salvation.
It’s 1961. Two servicemen smuggle a box of military gear to USA. Leroy tries out a military camera and accidentally takes a picture of some military facilities. Army finds one of the pictures and thinks they’re communist spies.
A handsome drifter, without a past, gets off an interstate bus in a small Texas town and finds work at Leroy’s Country Blues Bar….and the mystery begins.
The Calling follows the controversial life of evangelist Leroy Jenkins.
A hilarious and heartfelt military comedy-drama co-directed by John Ford and Mervyn LeRoy, Mister Roberts stars Henry Fonda as an officer who’s yearning for battle but is stuck in the backwaters of World War II on a noncommissioned Navy ship run by the bullying Capt. Morton (James Cagney). Jack Lemmon enjoys a star-making turn as the freewheeling Ensign Pulver, and William Powell stars as the ship’s doctor in his last screen role. Based on the 1946 novel with the same name, by Thomas Heggen, and the 1948 Broadway play, written by Thomas Heggen and Joshua Logan. Henry Fonda also starred in the original Broadway production. Warner Bros. didn’t want Fonda to star in the film, as they thought he was too old, and had been a stage player for so long (8 years), that he no longer was box office material. However, John Ford insisted on Fonda and the company eventually agreed.
The film follows Director/Actor Blake Freeman, who takes a morally and financially bankrupt 69 year old man named Leroy, on a Journey in search of the truth. Leroy’s spent his life savings on trying to protect himself from aliens and paranormal ghost, by entrusting the help of psychics. Upon the discovery of Leroy’s plight, Blake decides he must take Leroy on a hilarious journey across the country to “uncover the truth” of of all things paranormal. From Aliens to Voodoo curses, Blake takes on them all, by pulling pranks on the “so called” experts with hopes to ultimately prove to Leroy, he has been taken advantage of.
Petey Wheatstraw (Rudy Ray Moore) is a candidate to become the devil’s son-in-law. The storyline is a scaffolding on which Rudy Ray Moore’s standup humor can be unfolded. Beginning life as the afterbirth to a watermelon, the young Wheatstraw becomes a martial artist, but is unable to best the evil comedy team of Leroy and Skillet, who also indulge in wholesale murder. Satan restores the comedians’ victims to life, and charges Petey with the task of marrying his clock-stoppingly ugly daughter to giving him a grandchild. When Petey attempts to default on the deal, he is pursued by the devil’s henchmen.
